Last post, I shared the three series of photos of Evie with you. Now it’s time to expand the focus of the camera to include other lovely people from that night!
First: Series Of A Friend
Second: One More Quick Series
Finally: A Few More Non-Series Photos
I have one last grouping of photos to share from this event: photos of the ball itself! They’ll be coming soon and they’re lovely/super cute!
Remember in my last post I promised pictures of the finished ball gown now known as Evie? The time has come! I had a hard time narrowing down the options (because of course I wanted to share ALL of the good pictures), but I’ve tried to limit myself to only the best of the best. This post will focus on the completion of my dress, Evie, but there are two more posts coming soon that will share some of the other photo series as well as pictures of the ball itself!
These photos are the idea of my friend with the camera. She wanted to take series of pictures of us in our modern clothes, 1860s undies, and then dressed in our 1860s ball gowns: all in the same location and the same pose. It’s a neat idea and the results are great, not only because it provided lots of pictures (yay!) some of which are of things I don’t have pictures of (like my 1860s undies), but also because you can see the time passing through the evening by looking at the light in the photos. They start in the afternoon, proceed to early evening, then finish at night. Not all the series are a complete set, but all around, it’s pretty cool. Which series do you like best?
Series 1: To The Right
Series 2: What A Change
Series 3: On The Stairs
I’ve never been able to get pictures of my 1860s undies before, so this is exciting! I’ve got a chemise, corset, drawers, cage crinoline, and petticoat (in addition to stockings, shoes, jewelry, hair wreath, gloves, fan, and gown). The crinoline is entirely hand sewn, except for the waistband. The measurements of the hoops are taken from an extant crinoline, and I believe the circumference of the bottom hoop is about 120″. The crinoline closes with a hook on the waistband. The other pieces are machine sewn and trimmed with lace, pin tucks, and ribbon. The chemise slips over the head and the drawers close at the back with a button and loop arrangement. (And that poor petticoat does need a press… but I threw it in the washer and dryer a while ago and since it doesn’t usually get seen I haven’t taken the time to press it.) The petticoat ties around the waist. As you can see, the crinoline stops mid-calf, so the intense petticoat ruffle really helps keep the shape for the skirt below that point, in addition to keeping my hoops from showing as horizontal lines through the skirt of the gown.
Want to be further amused? Look at the apparently changeable feathers on my hair wreath. Sometimes they’re brownish/gold and sometimes vivid green! They really do seem to change color depending on the light!
I don’t think I’ve mentioned it yet, but the basic pattern for this gown is essentially taken from Janet Arnold’s Patterns of Fashion 2. The trim however, is based on two things. Thing 1: the skirt trim is from the fashion plate I shared with you in the first post of this project journal. Thing 2 : the bodice trim is based on this gown, below. I went through a lot of phases trying to decide how to trim the bodice, since I didn’t really like the fashion plate bodice trim. In the end, I decided on this look: a graduated ruffle (just one, in my case, to match the one ruffle on the skirt) that gets longer toward center back, a triple pleated bertha that has a swoop towards center front rather than being straight, and a big trim thing right at the center (in my case, a rosette to match the skirt, rather than a bow). It’s pretty hard to see the front of my dress in these pictures I’ve shared so far, but there are some coming up in the next two posts which will show off the front of the gown better, so stay tuned for that!
While getting dressed we might have been making silly faces for the camera while the owner walked away…
It’s been a little while since I posted about my new 1864 ball gown. Over a month, I think, because in February I posted about the plan/inspiration and then about the progress I made on the trim. I was steadily working on it during the month of March and had it ready to go for the Returning Heroes Ball a week ago. That’s not to say there wasn’t a little bit of last minute sewing the afternoon of the ball. My last minute sewing was gloves and hair piece, though, not dress, so that’s an accomplishment! And I wasn’t alone in my afternoon sewing… friends were sewing with me! There are lots of upcoming pictures but for now I’m going to post about the insides of the skirt and bodice. It’s a sneak peak, since you have to wait for the others pictures to see the full ensemble!
My other 1860s dresses have names: Belle is my dark blue gown and Annabelle is my white gown. I haven’t really been thinking of this dress by name until recently. Upon consideration, I’ve decided that she’s named Evelyn, or perhaps Evie for short. Why that name? I just like it, it’s old fashioned, and it has Y, and I have a fondness for the less commonly used letters of the alphabet. So here she is: Evie.
The raw top edges of the skirt are just turned to the inside and left alone. The silk skirt is flat lined with muslin, which helps give it some body, preventing creasing, and some stability at the hem for all that trim. There are six double box pleats evenly spaced around the skirt, as you can see. I haven’t tried this evenly distributed method on an 1860s skirt before (my previous dresses have knife pleated fronts and cartridge pleated backs, which makes them much heavier in the back than the front… I suppose I could divide the skirt in half and do that method, but given how those skirts are weighted, I’m sure there’s more fabric in back than in front). All that to say that I love how evenly weighted this skirt is! It means I don’t need a giant bum pad to keep my hoops level with the floor. (Come to think of it, I suppose I could remount the skirts of my other dresses onto new waistbands and redistribute the fabric… hm… I’ll have to think about that!)
The sleeve is lined in muslin. I originally intended that it wouldn’t be seen, but then changed the sleeve design so now the muslin is visible on the inside of the bodice. It doesn’t matter, though, but I do like it when everything matches. The seam allowances of the bodice are just left unfinished (I might whip stitch over the edges some day, but that’s unlikely, since I’ll probably be sewing something else!). The armhole seam allowances are whip stitched together to keep them from fraying and to keep all those layers together. The armholes also have cording in them. The bodice closes at center back with lacing. The eyelets, like everything else, are hand sewn. The bertha also closes at center back (unusual, since a lot of them close on the shoulder, but I didn’t want my bertha pleating to be able to move or show the top of the ruffle). You can see the stitching holding the bertha in place in the first bodice picture, because those stitches go right through to the inside of the bodice.
I stopped keeping track of how many yards of hand sewing went into this dress… but now I’m curious again. So when I finished stitching the gathering stitches I was at 86 1/2 yds just for the trim. I’d estimate about another 22 yds of stitching to attach the trim and about 12 yds of stitching to construct the skirt before attaching it to the waistband. Waistband attachment was probably about 7 yds (it’s quite sturdy and all those pleats are well sewn!). That puts the skirt at a total of about 127 1/2 yds of hand sewing. Then there’s the bodice, which is maybe 12 yds of hand sewing total? That’s a harder one to estimate. That brings Evie to a total of approximately 140 yds of stitching.
I’m proud to say that every single stitch is hand sewn. Next time, though, I’m planning on machine stitching the inside seams. It’s super satisfying to have an entirely hand sewn dress, but it took about two months, and that could have been much sped up with the use of a sewing machine, which means I could have made more things! Who knows, I might change my mind, but right now even I am tired of hand sewing that dress.
My push to complete my new 1864 green ball gown is complete (more on that soon), and that means a shift in focus to the Regency! It also means that the Mar-pril Regency Sew Weekly goals are upon me. I’ve already completed my project for the first goal, the 1812 blue under dress. Have you been working on a project for Goal #1? This is a reminder to get going, because the due date is tomorrow!
Goal #1 (due March 18): Under Wear Ideas to complete this goal: make from scratch, finish, or trim something worn under another garment, a petticoat, underdress, shirt, or waistcoat could fall into that category, or maybe this is a great opportunity to trim a finished garment already in your closet.
This is also your reminder for…
Goal #2 (due March 25): Evening Wear Ideas to complete this goal: an all new garment (gown, breeches, waistcoat, or tailcoat, for example), finishing a garment in progress, trimming an already finished garment, sewing something to keep you warm while on your way to an evening event, or maybe completing accessories to wear or take with you to an evening event.
I’m planning to use this goal as encouragement to fix the rip in my red 1813 evening gown. What progress are you planning?
I’ve been super slow at posting about the inside of my 1813 red gown, but the time has finally come! Here are the insides of the gown, and as usual with me, the inside is meticulously finished.
The HSF #5 Challenge: Peasants and Pioneers. The MpRSW #1 Goal: Under Wear. This recently completed garment fits both!
Now remember, and don’t judge me, that this project is one of those “I just want this to be done quickly and no one will be able to see the details” projects.
First, the facts:
Fabric: Cotton-poly blend.
Pattern: The exact same as my 1812 white striped gown from last summer, which is adjusted from a gown in Janet Arnold’s Patterns of Fashion 1.
Year: 1812.
Notions: About 2 yds of 1/4″ cotton twill tape.
How historically accurate?: Accurate pattern, almost totally inaccurate fabric (that cotton counts for something, right?), and entirely machine sewn (not a single hand stitch, which for me is a rather unusual accomplishment). I give this one a 60% on historically accuracy. I think the pattern goes a long way towards being a saving grace. Ok, maybe a 65% if I count the cotton…
Hours to complete: Let’s say 16. All that gathering does add some time.
First worn: Not yet, but will be worn in April.
Total cost: Between $9-$12 (I can’t remember exactly how many yards I bought…)
How does this fit the HSF challenge? The simplicity of the fabric and style of the dress and lack of extra trimmings, puts this in the category of basic Regency clothing that could be worn by a pioneer-type. It’s probably still a little fancy for a peasant. It’s hard to make plain and simple clothing!
A few more pictures, then a little more explanation.
Explanation time. I actually don’t like this color much on its own. In fact, I think it does absolutely nothing for my complexion. Actually, it just looks bad on me. So why did I pick it, you ask? Well, this is intended to be an under dress, not something I ever plan to wear by itself. I was at the fabric store looking for colors that worked under my 1812 striped square neck gown, and this is the one! The other colors looked too much like skin, or just awful pastel shades of ew. Also, I was probably influenced by this next picture. I couldn’t stop looking at the blues.
Anyway, given how much I don’t like the color/am amused by the scrub-like quality of it and don’t plan for this to be really seen, I just wanted it to be done, quickly and without fuss. That’s why it’s totally machine sewn. Granted, I did do a nice machine sew job, so I suppose it might one day be worn without the over dress, but I don’t see that as a likely option, at least on my body. Funny contrast is that the white dress is entirely hand sewn, with not a machine stitch to be found.
Voila! One over dress, two different looks! One of the comments awhile ago mentioned the idea of the Regency LWD: Little White Dress. That’s been on my brain while I’ve been making this blue under dress. With different under options this LWD becomes more versatile and can change looks for different events. Nice!
Also, and this is really cool, my blue under dress is incredibly similar to this “slip” at the Met! The cool part is that I came across the slip in January, months after I had made the plan for my under dress. But look at the gathers on the sleeve at the sleeve band and at the crown, and at the shoulder strap construction of the bodice, and at the gathered top and bottom center front panel. It’s kind of uncanny, because this is not the dress that Janet Arnold based her pattern off of. Just goes to show that this construction style was used on more than one dress in the Regency period. Cool!
As I dressed Squishy I realized that when I go to wear this blue under dress it would probably save me some fussing if I baste the shoulder straps of the two dresses together so the blue doesn’t poke out where I don’t want it it. That’s an easy thing to then take out again later. I’ll have to get on that before April!
In my second post about the recent Pride and Prejudice ball I attended, I mentioned that the Commonwealth Vintage Dancers did a small exhibition during the course of the evening, I even included pictures. Well, this is even better! A video of us dancing “The Cottage Bonnet,” a Regency period country dance, during the ball. This is the level of difficulty that’s being aimed for at the Regency Intensive Dance Weekend in April. Hopefully we can have an entire room full of people successfully dancing like this at the second, more formal ball of that weekend event! I hope you enjoy. It’s pretty fun!
What is that, you ask? It’s a group sew along!
Why? Well, you see, in April my friends and I will be participating in a Regency Intensive Dance Weekend hosted by the Commonwealth Vintage Dancers. There will be lots of dance classes in modern clothes, but also balls and day events in Regency clothing! Of course that means new clothes to be sewn during the months of March and April and some of us keep our motivation going better than others. This sew along is intended to encourage and sustain the motivation of all of us (and anyone else who is interested in participating!).
What do you have to do? Sew! Really, though, that’s it. You can make your goals as small or large as you need to. All you have to do is complete the goals as they come up, and then share your progress. That will keep you accountable, and hopefully encourage you to stay motivated.
Goal #1 (due March 18): Under Wear Ideas to complete this goal: make from scratch, finish, or trim something worn under another garment, a petticoat, underdress, shirt, or waistcoat could fall into that category, or maybe this is a great opportunity to trim a finished garment already in your closet.
Goal #2 (due March 25): Evening Wear Ideas to complete this goal: an all new garment (gown, breeches, waistcoat, or tailcoat, for example), finishing a garment in progress, trimming an already finished garment, sewing something to keep you warm while on your way to an evening event, or maybe completing accessories to wear or take with you to an evening event.
Goal #3 (due April 1): Day Wear Ideas to complete this goal: making, finishing, or trimming a dress, a spencer, a pelisse, a tailcoat, or a waistcoat, or perhaps completing accessories to wear or take with you to a day event.
Goal #4 (due April 8): Accessories Ideas to complete this goal: reticules, chemisettes, parasols, bonnets, gloves, hats, shoes, boots, stockings… this is a soft and easy goal so if you didn’t make one of the first three goals, this gives you a great catch-up opportunity!
Goal #5 (due April 12): Anything Left! You know there are always things you hoped to finish earlier but you’re still trying to finish them up at the last minute? Make this a goal to complete whatever it is you didn’t complete before now. Maybe that’s another accessory, or a hem, or some trim, or maybe it’s just gathering your thoughts and your clothes to pack for the weekend.
How do you participate? Take the MpRSW (Mar-pril Regency Sew Weekly) image at the top of this post and add it to your blog, if you have one. Then, as you complete the goals, post about it on your blog. Don’t forget to leave a comment here with a link back to your blog post!
Do you have to participate in all of the challenges to participate? Nope! Pick and choose as you wish. The overall goal is just to inspire creativity and completion of Regency related sewing projects!
Do you have to be attending the Regency Intensive Dance Weekend to participate? Of course not! Again, the goal is just to inspire creativity and completion of sewing projects!
If you’re also participating in the Historical Sew Fortnightly, as I am, then perhaps there will be times where the two sew-alongs overlap for you. I know that my HSF #6: Stripes (due March 25) item will also fit into a MpRSW goal, since it’s a Regency item. Other upcoming HSF challenges include #7: Accessorize (due April 8), which should be easy to use for overlap, since the MpRSW #4 goal: Accessories, is due the same day, and #8: By The Sea (due April 22).
Finally, let me just say that it would be pretty awesome if you’re out there in the blogging world and want to join in! This sew along is smilingly aimed at all of you who might enjoy a helpful hand of motivation to be fully sewn and fully clothed (ahead of time) for the Regency Intensive Dance Weekend, but I hope that doesn’t discourage you from participating, even if you won’t be at that event. Hopefully some of my sewing motivation will be passed on!
Last post, I shared pictures of my new 1813 evening dress and other related pretty clothes. This time we’re on to photos during the ball!
Anyway, all things considered it was a lovely evening with lovely people. It was particularly nice to see old friends, but also nice to see usual ball friends. And I thought we all looked pretty smashing, which really does add to the atmosphere. I just wish I hadn’t ripped my dress…
The Quintessential Clothes Pen 